| HEINER GOEBBELS, born on August 17, 1952 in Neustadt/Weinstrasse,
lives since 1972 in Frankfurt/Main. He studied sociology and
music.
While doing several record productions and many concerts
with the Sogenanntes Linksradikales Blasorchester
(76-81), the Goebbels/Harth-Duo (76-88) and the
art-rock-trio Cassiber (82-92), he wrote at the same time
theatre music (for Hans Neuenfels, Claus Peymann,
Matthias Langhoff, Ruth Berghaus and others), film music
(for Helke Sander, Dubini, and others) and ballet music
(for the Ballet Frankfurt).
In the middle of the 80s he began composing and directing
audio plays of his own, most of them based on texts by
Heiner Mueller Verkommenes Ufer (Waste Shore),
Die Befreiung des Prometheus (The liberation of
Prometheus), Wolokolamsker Chaussee (Volokolamsk
Highway), Schliemanns Radio, Der Horatier/Roman
Dogs/Chiens Romains and others).
After the staged concerts Der Mann im Fahrstuhl
(Man in the Elevator) 1987,
Die Befreiung des Prometheus (The liberation of Prometheus),
1991 and on and the concert for dancer Thraenen des
Vaterlands (Tears of the fatherland), together with
Christoph Nel/Ballet Frankfurt, 1986, he created together with
Michael Simon the music theatre pieces Newton's
Casino in 1990 and Roemische Hunde (Roman
Dogs) in 1991 at the TAT in Frankfurt.
Since 1988 Heiner Goebbels composes chamber music for
the
Ensemble Modern (Red Run, Befreiung, La Jalousie)
and the Ensemble Intercontemporain (Herakles 2).
In 1994 followed
Surrogate Cities, a 90 minutes composition for big
orchestra commissioned by the Alte Oper Frankfurt and
performed of the Junge Deutsche Philharmonie, conductor: Peter
Rundel. 1996, as a commision for Donaueschingen, he composed
Industry & Idleness (premiere by Radiokamerorkest
Hilversum, conductor: Peter Eotvos).
Walden for extended orchestra was created in 1998 for the
first tour of the newly founded Ensemble Modern Orchestra
(conductor: Peter Eotvos).
Invitations to nearly all major theatre, new music, jazz and
performing arts festivals and tours with all his ensembles, the
productions for stage and the portrait concerts of the Ensemble
Modern got him to more than 30 countries in the last 15 years.
Lately about 10 CD productions were published.
In 1993 the music theatre piece
Ou bien la débarquement désastreux (Or the hapless landing)
was directed by him in Paris. In 1995 his music theatre piece
Die Wiederholung (The Repetition, La Reprise - based upon
motifs by Kierkegaard, Robbe-Grillet and Prince) was created in
Frankfurt (Theater am Turm). His music theatre piece
Schwarz auf Weiss (Black on White) was created at the TAT
Frankfurt in 1996 for 18 musicians of the Ensemble Modern. It
was filmed for Arte, recorded for BMG and the SWF and is still
being shown in Europe and overseas.
In 1997 he participated in the Documenta X in Kassel with his
musical theatre sketch
Landscape with man being killed by a snake (September 97)
and he created the music theatre piece
Schliemann's Scaffolding in Athens and Volos
(September/October 97). His music theatre piece
Max Black with Andre Wilms premiered in April 1998 in
Lausanne, and together with the Ensemble Modern he created a
tribute to Hanns Eislers' 100th anniversary called
Eislermaterial - a staged concert which was first
shown in Munich in May 1998.
In 2000 Heiner Goebbels created the sound installations
timeios and fin de soleil at the centre
Pompidou in Paris, the music theatre piece
Hashirigaki in Theatre Vidy and the staged concert
...même soir.- with Les Percussions de Strasbourg.
Nearly all of his music theatre works have been performed
more than 50 times on the major music and theatre festivals in
europe as well as in the USA, Japan, Australia and Singapur.
1994/95 guest professor at "Institut für Angewandte
Theaterwissenschaft" University Giessen.
1997/98 guest professor at "Musikhochschule Karlsruhe -
Kompositionsklasse".
From April 1999 on, Heiner Goebbels works as a professor at
the
Institute for Applied Theatre Studies which is situated in
the Justus Liebig University in Giessen (Germany). He will be in
charge of several seminars and artistic projects. The institute
inhabits a professional rehearsal stage and is well equipped
with a brand-new audio and video studio. The institute is as
well dedicated to scientific research as to artistic practice
(contemporary theatre and performance) and especially to the
possibilities of linking both. (For further information please
visit its
homepage.)
In 2002 Heiner Goebbels premiered his first opera
Landschaft mit entfernten Verwandten /
Paysage avec parents éloignés /
Landscape with distant relatives. In the context of his
50th birthday Heiner Goebbels released his first book "Komposition
als Inszenierung". Also ECM released a CD of
Eislermaterial.
In 2003 Heiner Goebbels premiered his orchestra piece From A
Diary as a comission of the Berlin Philharmonics / conductor Sir
Simon Rattle.The Berlin Philharmonics performed ten concerts
with the music of Heiner Goebbels: two performances of
Surrogate Cities in Lausanne and Berlin and many
following concerts of
From
A Diary in Salzburg, London, New York, San Francisco and
others.
In 2004 he premiered his latest music theatre piece called
Eraritjaritjaka - museé des phrases after words by Elias
Canetti with the actor André Wilms and the Mondriaan String
Quartett at the theatre vidy in lausanne.
AWARDS
1981 Deutscher Schallplattenpreis
1983 Brüder Grimm Preis des Landes Berlin für "Kiebich und Dutz"
zusammen mit F.K. Waechter u.a.
1984 Karl-Sczuka-Preis des SWF (Donaueschinger Musiktage) for
Verkommenes Ufer/Wasteland Waterfront
1985 Deutscher Schallplattenpreis
1985 Hoerspielpreis der Kriegsblinden for Die Befreiung
des Prometheus /The Liberation of Prometheus
1986 Prix Italia for Die Befreiung des Prometheus/The
Liberation of Prometheus
1988 Goldene Ehrennadel der Deutschen Schallplattenkritik
1989 Berliner Hörspielpreis /Akademie der Künste for
Wolokolamsker Chaussee/Volokolamsk Highway
1990 Karl-Sczuka-Preis des SWF (Donaueschinger Musiktage) for
Wolokolamsker Chaussee/Volokolamsk Highway
1991 Prix Futura for Wolokolamsker Chaussee/Volokolamsk
Highway - Part V
1992 Karl-Sczuka-Preis des SWF (Donaueschinger Musiktage) for
Schliemanns Radio
1992 Prix Italia for Schliemanns Radio
1993 Hessischer Kulturpreis
1996 Prix Italia for Roman Dogs
1996 Radio-Ostakino-Prize, Moskow for Der Horatier
1997 Hörspiel des Jahres der Akademie der darstellenden Künste
for Die Wiederholung / The Repetition
1998/99 Priize of the spanish theatre critics 'Best foreign
production' for Black on White
2001 European Theater Prize - New Theatrical Realities (Taormina)
2001 Grammy nomination in the category "Best classical
contemporary composition" for
Surrogate Cities
2001 Herald Angel Award of the Edinburgh International Festival
for
Hashirigaki.
2002 Goethe-Plakette der Stadt Frankfurt / Goethe Medal of
the City Frankfurt
2002 Prix Marulic for
Oder die glücklose Landung / Or the hapless landing
2002 World Silvermedal of the New York Festivals for
Oder die glücklose Landung / Or the hapless landing
2003 Deutscher Kritikerpreis, Sparte "Musik" (price of the
german critics in "music")
2004 Grammy Nomination for
Eislermaterial.
2004 Herald Angel Award at the Edinburgh International Festival
for
Eraritjaritjaka - museé des phrases.
2005 OPUS Stage Price for
Eraritjaritjaka - museé des phrases in the category
directing.
2005 GRAND PRIX DE LA CRITIQUE for
Eraritjaritjaka - museé des phrases in the category
best foreign performance (France/Paris).
2005 GRAND PRIX "Mira Trailovic" for
Eraritjaritjaka - museé des phrases at the BITEF
FESTIVAL (Belgrade).
2005 Price in the category "Best Director" for
Eraritjaritjaka - museé des phrases by the newspaper
POLITIKA (Belgrade).
2006 Theatre Prize for the WORLD THEATRE DAY (March 27th) by the
german centre of the ITI (International Theatre Institute)
member of the "Akademie der darstellenden Kuenste" (academy
of the performing arts) in Frankfurt
member of the "Akademie der Kuenste" (academy of the arts) in
Berlin
awarded in 1999 "in recognition to his outstanding
contribution to the arts" with the fellowship honoris causa
at the dartingtion college of the arts. |